Check out the interview with Baltimore Emcee, Wordsmith by Producers XChange.

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From the streets of Queens, NY to the sun-bathed population of Tampa, FL; most of you should have already heard of that one they call "the femcee." Her introduction to the game was definitely a natural progression, and her story is one that increasengly gains movement on Hip Hop's list of the most beloved emcees of the time. Her feminine swag is matched by her ability to engage a crowd in her very own story within a culture that most had thought lost honor and dignity.

We caught up to Dynasty and had her agree to share some thoughts with us, and answer some questions that we could provide our readers. We asked her how her journey has been since her proclaimed "awakening" into the local arena, when she performed at a Little Brother show in the historic Ybor City District of Tampa Bay.

BSR: So, tell us how has your journey been from the Little Brother show in Ybor to now?

DY: WOW. My journey has been amazing, and, it's still just the beginning. The Little Brother show was where Tampa started paying attention, and they haven't stopped showing love since! :-) Since then, I've had two singles on major radio, opened for Wu-Tang, KRS-One, AZ & Cormega; and [we] had an unbelievable turnout for the "Dreampusher" release party. So yea, it's been amazing! :-)

BSR: What started you rhyming prior to then when you lived in Queens? Any favorite throwback emcees?

DY: Well, it was just something I started doing because the boys were doing it. Me and my girls would take rhymes and switch them up to make it our own. My favorite group at that time was Das EFX. All I wanted for gifts were Das EFX tapes. (LOL!) After a while, I realized that I was pretty good at it, and once I got a taste of the stage, it was a wrap!

BSR: What lessons have been the hardest to learn for you in this game?

DY: The hardest lesson was that this thing really takes work! It's not just about being a dope emcee; (and) just because you're good at one aspect of it, doesn't automatically make you good at another (aspect). For example, recording was never natural for me. I always considered myself a PERFORMING artist (because) THAT comes naturally (for me). Standing in a booth, in front of a mic, not so much. That really took work for me to conquer, and I still feel that I have work to do, but I am growing.

BSR: What is a victorious moment, and what is a dissappointing moment you have had at a show?

DY: A victorious moment at a show --- I rocked the Wu-Tang crowd, which was a tough crowd. (LOL) I saw them boo the act before me. Well, they didn't boo - they started chanting, "WU-TANG!, WU-TANG!" 1000 plus people chanting, "Wu-Tang!" in the middle of the act's set!?!? Well, i went on the stage and said, "Let me hear you say WU-TANG! WU-TANG!" and got them ALL chanting. Then I said, "Good, I saw what you did to that last dude. Now that you've got that out of your system, we can start the show!" They went CRAZY! After that, it was smooth sailing! =)

(I haven't really had a disappointing moment at a show… sorry!!)

BSR: So, being from Queens, how do you feel the music in Tampa differentiates from your hometown?

DY: They have quite a few artists down here doing Jook music, which is different than what we do up north. But, truthfully, Tampa is a melting pot and a lot of people are here from all over (the place). So, it's a nice variety in the music scene here, not just in Hip Hop, but ALL genres.

BSR: Since everyone keeps asking this, we felt we probably should appease the masses but ask it a bit differently. Where do you see Hip Hop heading in regards to production, lyricism and the business as a whole?

DY: I'm not really one to speak to much on the business side. My concern lies with the art itself, and right now I see people looking for a little more variety. The dance music is cool, the money, hoe's and clothes flow is still alive and well; but people are looking for MORE. I think people embracing artists like Jay Electronica is evidence of that.

BSR: So, who's spinning in that music list of yours these days?

DY: Oh man! My music list is so random!!! It will go from Erykah (Badu), John Mayer, Mos Def, Gladys Knight, Adele, to Slaughterhouse. (LOL!) Whatever I am in the mood for, I find it… and listen.

BSR: Who has shaped your experience thus far? Is there anyone who has had an impact on your style, approach or views?

DY: The artists who influence my views are artists who are true to themselves like Erykah Badu and Mos Def; and the list grows as I'm exposed to more music. Any artist who doesn't compromise who they are to appease anyone impacts me. Authentic artists encourage me to keep doin' what I do!

BSR: How did the "Dreampusher" concept come about?

DY: I felt that this project was my introduction to the world, and I needed to let people know who I am. A "Li'l brown girl from queens with big dreams." I'm a "dreampusher", doing what I have to do day to day to get by, but I know where my heart lies and what my dreams are. That's what I push for.

BSR: So, when can we expect the LP? Any signs of that in the horizon?

DY: There is no date set yet. We just dropped "Dreampusher," and the feedback has been overwhelming. So, we are running with that for now. The world has to hear "Dreampusher" before the album drops!! Well… most of the world at least. :-)

BSR: So, are you keeping it independent, going for a signed deal or not sure yet?

DY: It's all up in the air right now. =) It's about making GOOD MUSIC and connecting with the people. I live for the stage, but don't get it twisted, my team handles biz! (LOL!)

BSR: What would you say to any aspiring artist in this Hip Hop game?

DY: You already know what I'm going to say… keep Pushin'! I know that may sound cliché to some, but it is TRULY my mantra and it gets me through everything. Pushin' forward has brought me to where I am now, and it's going to take me far beyond here. This is just a stepping stone.

BSR: Any other thoughts, shoutouts, etc?

DY: Shouts to my team, TEAM DY. Sandman, Jinx, Deacon, DJ Fader (The Rotten Orange), and anyone who supports me in pushin' for my dream. I appreciate you! Be sure to stay in touch at thefemcee.com and http://facebook.com/thefemcee!

Want more information on Dynasty (aka Ya Girl DY!), the Femcee?

- Website: http://www.thefemcee.com/
- Facebook: http://www.facebook.com/thefemcee
- Twitter: http://www.twitter.com/yagirldynasty
- Booking Info: booking@thefemcee.com

Eghosa Igbinosun, better known as Ghos WryTer was born and raised here in Tampa, FL (Timberlane). The best way to describe this man is simply unique. From his lyrics to his swag he definitely leaves his mark in the independent hip-hop game. With his favorite line being "Pay attention and watch me" we have no choice but to follow his rise to the top!

I'm sitting here with Ghos and producer Wally Clark discussing the making of Ghos WryTer.

BSR: I gotta ask where did your name come from?

Eghosa Igbinosun means God's time is the best. Ghos WryTer came from my first name. My dad actually wanted to name me Paul and he's the African!

BSR: When did you first start rhyming?

Looks at Wally and asked, "What were we on the bus nigga?" I started when I was like 12, when I missed the bus back home; when I was listening to bone thugs. I didn't even know who Pac was. I was in and outta Tampa nigga.

BSR: What or who would you say is your biggest influence to date?

This nigga! (points at Wally Clark)

BSR: Where do you draw your inspiration for your songs?

My head. (laughs) I don't know…. real life! I write about what I have lived, what I have seen, and what I been through. I try to keep it 100.

BSR: Who do you consider to be your favorite artists?

Jay-Z, Eminem, Fab, Joe Budden, Dipset, Talib Kweli, Mos Def and Xzibit

BSR: What's playing in your car right now ?

Kendrick Lamar

BSR: What message are you putting out there with your music?

PAY ATTENTION AND WATCH ME! The message will come through if they pay attention and watch me.

BSR: If given the chance to collab with anyone who would it be?

D.J Premier. His beats are fuckin crazy. They make you wanna rap. No, they don't even make you wanna rap they make you wanna write. It aint a whole bunch of drops, synths, hand claps, chants and stanky leg shit like that … Oh my bad I ain't going no further.

BSR: Are there any past experiences that you draw from for your songs?

My father is African so I feel like I have to have something to say… I should have something to say because he taught me better. My mother passed when I was younger. She told me go forward with my music. Also going to prison and listening to the trash around me; listening to the radio. Wally made me start writing and he told me to stop bullshittin and start writing shit down."Imma start eatin niggas they ain't ready for me!"

BSR: What sets you apart from Tampa artists?

Fuckin look at me… listen to me.. What sets me apart from the niggas in Tampa? I don't even look like I'm from here. No disrespect to the Tampa artists but I'm not normal. I'm not the average Tampa artist.

BSR: What do you bring to the table that you feel others can't?

Versatility, Lyrics, Personality, Uniqueness and last but not least that mutha fuckin gangsta shit!

BSR: When you get on stage to perform, what are you giving to the crowd?

ME. This isn't no character. This isn't no thought up idea. This is me. Half the time I think about what imma do on stage but it always comes out different. This is me G-H-O-S . Tell your mom about it!

BSR: What makes you think you can hang with these Tampa artists.

Whose to say they not tryna hang with me ? I mean like REALLY? Should I really be controversial right now.. I mean come on now.. "I'm on it…My shoes match my shirt." I mean shouldn't they? Didn't your mom teach you that? Please don't beat me up when you see me in the club! (with the illest serious face) Because I can't fight! But nah… actual dudes that are born and raised in Tampa actually put it on.

BSR: How do you feel about the younger generation coming out now?

With the younger dudes it's our responsibility to show them to step up. My obstacles should be their stepping-stone. The world is run by dudes in the background. You don't really know who is running the world. We should be able to teach the newer generation how to step it up!

Suntin' Xtra, definitely brings all that and more to the stage! Born and raised in Tampa, FL, David Hill knew that music was his passion. At 21, this young artist has grabbed and kept the attention of the south's hip-hop community. Seeing Suntin Xtra perform definitely gives you that "wow" factor. He has so much energy on stage; yet in person his humbled attitude is amazing. "I rather talk about what happened instead of what's going to happen!" Life experiences allows him to make hits such as "Cant stop fuckin wit ma nigga". His mixtape "Xtra Credit" gives you the very best of southern swag! Suntin Xtra is definitely a performer that is a MUST see! Be on the look for this young artist because he is closing in hard!

When did you first start rhyming?

What or who would you say is your biggest influence to date?

Where do you draw your inspiration for your songs?

In your song "I can't stop fuckin with my nigga" who was your inspiration?

What are some of your favorite artists?

What message are you putting out there with your music?

Who if any are you trying to collaborate with?

Are there any past experiences that you draw from for your songs?

What sets you apart from all the artists in Tampa? What do you bring to the table that you feel others can't?

When you get on stage to perform, what are you giving to the crowd? Tell me about all that energy!

When I first saw you I thought that you would be just another cocky ass rapper and as surprised as I am your very humble! Where does that come from?

Where do you see yourself in 5 years?

Where do you WANT TO be… in 5 years?

How do you feel about the older heads and competition in the hip hop game?

So, we decided it would be in everyone's best interest to bring some exposure to R.A.P.P. Quelle and get some insight from this all-around artist. It became obvious for me that his passion for music was just one way of expressing his general views on life. With a talent to both move people yet still maintain a level of respectable content is matched by his ability to properly assess his own position in the industry and push forward towards his goals like any real artist should.

So, on a busy day of reinstalling machines in the studio, replying to various requests for reviews and nonstop text messages that for some reason wouldn't give me a moments rest, I was able to sit down for about an hour to ask some questions in a chat session with Quelle.

BSR: So, tell us about your background in music, and your parent's contribution to it. You mentioned that they were both music lovers on your website [http://www.rappquelle.com/].

RQ: Well, I've always loved music. It was a big part of my childhood. My dad was into Sam Cook and Stevie Wonder, and my mom was always playing music when she was cooking or cleaning. My dad is a great part of how I look at music and [how I listen] for great music. We took rides together when I was growing up. He would flip through the dials where we'd listen to tons of music on our rides, no real talking; it was kind of like the songs said everything we would want to say. :)

Christmas time was always great, because my dad would get all the tapes together and set the double deck machine to play tapes back to back, and he would get up in the middle of the night to put new tapes in. Christmas times were the best because I fell asleep to music and woke up to it. Nat King Cole, Mahalia Jackson, Ray Charles.... All the greats!

I remember one time in particular I became "aware" at Xmas that my dad was making something in the kitchen and Stevie Wonder's "Someday at Christmas" was playing and I began to cry. That was one of the first times I felt the very real impact of music. I was about 9 [at that time].

BSR: So, would you say you try and make that same impact in your music?

RQ: Yes, my goal is to give you something important every time I write and entertain you. I want to leave an impact [on the listener].

BSR: Sounds good. That's important. Now, how is it being from the Bahamas and promoting music in the states?

RQ: Well, honestly, at first I used to say it was "doing the impossible;" but now with the internet market growing by the second, it's become a very real thing for me and that ironically changed and widened my focus.

I look at it like this - nothing in life that's really "worth it" is gonna come easy, so this is something I'm gonna have to work hard for and I am ready to do that. So now a great deal of my time goes to networking and making genuine connections with each body on the other side of the screen.

BSR: Now, you also mentioned being involved in photography. Does that experience shape your way of marketing your artist image at all?

RQ: Well I think it does in some way. When I was only doing photography, my favorite images were the really abstract and artistic ones... the ones that stood out. I think I try to do that in my own way with my image as a recording artist now :)

BSR: What do you consider as major influences of your music besides the old school music? What of the 80's and up era stood out to you?

RQ: One of my strongest influences as a writer comes from Brandon Boyd of Incubus.Around 13 or 14, I'd say was when the whole Hip Hop love came for me. The videos used to come on TV and I'd record them on a VHS tape and play them back [in order to] write out the lyrics of the songs so I could know them in and out. I started writing down lyrics from KRS-One, Rakim, and then later DMX and Busta Rhymes.

My biggest Hip Hop influence at that time was Tupac, and it wasn't the "gangsta" image that had me; it was WHAT he was saying. I felt connected like I could live every word of it and feel all of what he said. He helped me to understand the importance of the words behind the songs and why things should have a meaning in Hip Hop.

BSR: So do you feel your music has that movement of feeling personally, or do you see yourself as "getting there"?

RQ: I think it hits and misses. My goal now is to find the best way of getting people to understand the whole [concept] of the art. With so much music coming out, why should someone take time to understand the meaning behind every bar? So I guess am getting there. (HAHA)

BSR: So, how do you feel about being compared to other artists?

RQ: Well, I take it as a compliment...Ya know? I think it's good for people to be able to say "Hey , you remind me of ..Etc etc" and still be able to stand on your own with your own artistic dogma.

BSR: So, do you think that helps or hinders your overall image? Sometimes artists feel the need to break away from that.

RQ: I think if you don't feed into it and give the listeners as much of your "true self" as possible your individuality will shine through. But if you use that to gain more support it's a career killer.

BSR: What do you feel is one of the best things about doing music independently?

RQ: Besides freedom...LOL (jokes). Well, I think it's great to be able to say what you want to say, and how you want to say it. The ability to give your listeners the full expression of your art is priceless.

BSR: What are some of the challenges you encounter, and how do you address those?

RQ: Well, I think something that challenges a lot of Indie acts is money, and this is where the internet has become such an invaluable tool for my team. There is so many free ways to get the word out, and you can pick and choose for yourself what is worth paying [for].

You can create your core with virtually no start-up cash, and with the new age of DIRECT TO FAN networking, the fans now can support you in more ways than just going to your show and buying a CD. With online branding I've been able to meet one of my biggest challenges head on, and I feel consistency will only improve this.

BSR: Sounds like you know your marketing :) So, who all run's the R.A.P.P. Quelle brand from behind the scenes?

RQ: No disrespect to your job at hand, but I think there is strength in my team being "behind the scenes," so I think I'll just leave it as that. People like BootSlapRap.com help [us] push the brand :)

BSR: Fair enough! :) What's one lesson you would be willing to share with all our readers out there, artist or fan?

RQ: well, it's not really a lesson, but more of a quote I go by in a lot of situations that helps me to remember I can never learn enough.

"The man that knows something, knows that he knows nothing at all"

BSR: True indeed, one of my favorites as well. So, what's in your Media Player rotation these days?

RQ: Brand New Heavies, Joe Budden's "Mood Muzik 4", Funkadelic's "America Eats Its Young", Tony McKay's "Exuma", Jamiroquai, and some snippets of Jaco Pastorius' "Live Shows with Weather Report"

BSR: Any other words you have for our readers or shout outs?

RQ: Thank you for taking the time to read a little about me and i hope you enjoy the music. Shout out to everyone living their dreams and those trying to get there :)